Baughman Trail hike

Rule #1: Get away from work once in a while to keep the creative juices moving.

Rule #2: See Rule #1.

I guess Adobe didn't like my business

It's hard to verbalize the disappointment I'm feeling from yesterday's announcement from Adobe.

The company has decided that, starting with their latest release in June, their programs (Photoshop, Illustrator, InDesign, Dreamweaver, Acrobat to name a few) will be rent-only. Meaning, you pay the rental fee every month ($49.99 if you pay for an entire year up front), and as soon as you stop paying, the program goes bye-bye. No more holding on to your old physical version for a couple of years because you can't afford to buy the new one just yet.

So those of us who make too little money in our freelance designer and illustrator jobs already, who go broke splurging for the latest Creative Suite package when ours has aged so ripely for two years? We are the ones who will be left in the dust.

Ashes to ashes, I suppose.

I've spent money on Adobe products for years. I bought them separately before they were packaged in a "Creative Suite." I bought them when they were Aldus and Macromedia. I bought CS1, CS3, CS5 and, last December, CS6. On all my sites I've added a colophon singing the praises of the Adobe products I love and use so much.

CS6 will be my last software purchase from the Adobe line.

I'm not a developer. Coding is still a relatively foreign language to a designer. This morning I started my search for alternative WYSIWYG HTML editors to replace the Dreamweaver that made my website designing so much easier.

I think I'll leave the colophons on my sites, but add a strikethrough over the Adobe titles until I've found, purchased, learned and begin using alternatives.

Adios, Adobe amigos. You used to be very good to me.

Reacquainting myself with figure drawing

It's been about ten years since I did some serious figure drawing, and I've been inspired lately to reacquaint myself with the whole process.

This drawing was one I had started all those years ago and never finished. It's hard pastel on pastel paper. I like the light color on the darker paper, but I'm not sure so much about hard pastels in general. This particular drawing was smallish, 9"x12", and I felt I needed a sharper edged detail in some areas than I was able to get with worn-down pastels. Also, when I sprayed the fixative, I'm pretty sure I lost some of the detail.

If I work with these pastels again I'll be prepared for less detail since I'm kind of married to the paper size (I have a couple tablets full of it).

It's a learning process. If you aren't learning, you're not moving forward.

Creatures & Such

It looks like I'm sort of continuing on with my monsters/robots/creatures doodles, so here's the next page. It doesn't feel like I'm finished with it yet, but I think the more I work on it, the worse I make it.

Maybe it needs to be finished now whether I like it or not.

Robots and Monsters

Another page from my visual journal.

I started with the idea of robots and robot parts, and it quickly evolved into funky creatures in general. I like the idea of robots and monsters as subjects because anything goes. That might be the same reason they're so hard for me. Too many possibilities for my little brain to sift through. That's the challenge I decided to give myself with these little doodle dudes.

I think I'll call them The Juxtapositioning of Disparate Elements. At least the title sounds classy.

The Monster Under My Bed

I figure the first step in making friends with the monster under my bed is to identify it. I'm still trying to figure out what it looks like, but here's a page I drew of ideas a couple of nights ago.

I finally met #ShaunTan (happy, happy dance)

In case you're new here, the one thing I can tell you about me is, I can't get enough of Shaun Tan.

I had never been to a national SCBWI conference before the one that just happened in New York, and all it took for me to get there was to see Shaun Tan's name on the keynote speaker list. I swear I was the first one in line.

My first meeting with Shaun went pretty much like this: On Friday, the first day of the conference, I was on the elevator by myself heading up to my hotel room on the 30th floor. When the elevator stopped, the doors opened and there waiting to get on, by himself, was Shaun Tan. I sucked in a breath, but somehow nothing came out. We stepped aside for each other to enter and exit. The doors closed between us

I spent Saturday morning waiting for a moment (and finding the nerve for) when he wasn't busy talking to somebody else. When I finally caught him waiting for the elevator yet again, I introduced myself and told him he was the reason I was at the conference. The elevator opened, we stepped in and joined a couple of other people already inside. I had barely started talking again when the nice lady beside me reached out her hand to Shaun and said, "Hi. I'm Jane Yolen. We've actually met before."

Not kidding.

Then the other lady in the elevator said, "Shaun Tan and Jane Yolen in the same elevator together. What are the chances!"

Yes. What are the chances.

We didn't have a chance to say any more before the elevator stopped at his floor (our floor), and he got out.

I did not.

Finally, on the last day of the conference just before our train left the station (literally; we rode the train to NY), I was working the autograph party as an SCBWI Illustrator Coordinator and waited for my opportunity. Shaun signed books for three hours straight (an hour longer than he was scheduled), and after the line disappeared, I finally (finally) got my photo op.

As you can see, he signed all his books for me, even though he had been sitting there for three hours. He was kind, patient and unassuming, and if his two had been the only talks I had heard all weekend, I would have left completely satisfied.

First Neil Gaiman last November, and now Shaun Tan. That's it. Is there really anybody else?

I guess I can die happy.