Frankenbot

Got a commission for the cover of the fall The Link magazine, the magazine for Carnegie Mellon University Computer Science alumni. The story is about how Comp Sci students don't just code anymore; they have to build things by hand, too. For example, they build prototypes of the things they are working on like touch screens and robots.

My idea was of creating a robot, Frankenstein-style. I wanted it to have really dramatic lighting, and I wanted to see if I could pull off a colorized pencil drawing. I hope it worked.

Sketchbook Project 2012—Frankenstein in color #sketchbookproject

Here's the finished Frankenstein page of my Sketchbook Project. This is the center spread, so what you're seeing down the middle is the tied-off end of the string from where I bound the book.

Another green Frank.

The only reason I can think of that my Frankensteins are green is because Herman had a bit of a greenish tint to him when The Munsters were in color. I used to be a big Munsters fan when I was little.

Sketchbook Project 2012—Frankenstein sketch #sketchbookproject

Here's the next page in my Sketchbook Project for the Art House Co-op and the Brooklyn Art Library. This illustration marks the center spread which means he's also standing on the halfway-through-the-sketchbook page.

If you missed what this little project is all about, here's the post that explains all the details.

This should make me a happy camper

I have to admit, I haven't been creating much in the world of illustration lately. I've been focused pretty intently on getting my book out (in a few weeks, my pretties), painting a few Rots (just finished Buster on Wednesday) and getting organized for the fall SCBWI conference coming up next month in Gettysburg.

Yeah. About that conference. This year I decided to jump in the ring and get the text of a graphic novel idea I wrote a while back critiqued by one of the faculty. Our regional advisor is totally pushing me toward an editor named Jordan Brown. She says he would "love" the kind of stuff I do and she thinks we would get along "fabulously".

(By the way, where do periods fall in relation to quotation marks these days? Inside or outside?)

So I'm asking to be placed with Mr. Brown, and my fingers are kind of crossed.

Kind of.

I've been following along with Gris Grimly's blogging about the new three volume book he's been working on for the past few years. He's tackling Frankenstein and, as usual, his work is phenomenal. Beautiful. Inspiring.

Makes me want to crawl in a hole somewhere and start crocheting lap robes for a living.

His latest post isn't helping.

Turns out the editor for his Frankenstein books? Yeah. Jordan Brown. I'm torn between jumping for joy and crawling under a rock to take up residence with the isopods. If Jordan Brown has somebody like Gris Grimly in his back pocket, does somebody like me really have much of a chance?

I'm finding my rock as we speak.

Ouchy.

Frankenstein Hot Cocoa Steampunk Sketcheroo

I'll be participating in the Pittsburgh Society of Illustrator's mixed drink directory later this year, and I wanted to mash Frankenstein up with a little steampunk. My recipe will be for hot cocoa, and this is the sketch I came up with. Thanks once again to Harpers Ferry, WV, and their great collection of stone buildings and textures that have yet to let me down.

Gris Grimly's Frankenstein in progress

I've been keeping track of Gris Grimly's career since I happened to find his book Edgar Allan Poe's Tales of Mystery and Madness in our local Barnes & Noble a few years back. He's a prolific illustrator. I'm not sure how else to describe his work. He's incredibly gifted and has determined ideas of how his books should look.

I'm terribly envious of his abilities. Can you tell?

Last July he started a blog to share progression of his new book, Frankenstein. He's been uploading images both in-progress and complete, and keeping his readers up-to-date with meetings with his editor and art director. In his latest entry, he posted a page that he wasn't satisfied with and also the pages he illustrated to replace it. I saved both images so I could compare the differences side-by-side, and the subtle detail changes are stunning. To me, anyway.

He's changed the color dramatically, which he mentions in the post, but he also made other, more subtle changes to hand positions, compositions and faces that have me taking a step back.

When I look at the original page, I see nothing wrong with it. As an illustrator, I would have been happy with the result, considered it finished, and moved on to the next page.

Maybe that's why he has the book deal. I'm not sure I have that extra "something" to boost my illustrations from self-promotion to an actual contract. I'd like to think working harder might do the trick, but I'm not sure how much harder I can work. Working harder doesn't give you that "something," and if I don't have it by now, I doubt I'll ever have it.

I am looking forward to Frankenstein; I've loved all his books. They're very enjoyable, as long as I look at them without comparing my own work to the talent in front of me.

iFrank in Technicolor

Here's a little guy I just painted this afternoon. I did a version of him earlier that was a take on the iPod commercials and was originally posted on The Rots blog.