This should make me a happy camper

I have to admit, I haven't been creating much in the world of illustration lately. I've been focused pretty intently on getting my book out (in a few weeks, my pretties), painting a few Rots (just finished Buster on Wednesday) and getting organized for the fall SCBWI conference coming up next month in Gettysburg.

Yeah. About that conference. This year I decided to jump in the ring and get the text of a graphic novel idea I wrote a while back critiqued by one of the faculty. Our regional advisor is totally pushing me toward an editor named Jordan Brown. She says he would "love" the kind of stuff I do and she thinks we would get along "fabulously".

(By the way, where do periods fall in relation to quotation marks these days? Inside or outside?)

So I'm asking to be placed with Mr. Brown, and my fingers are kind of crossed.

Kind of.

I've been following along with Gris Grimly's blogging about the new three volume book he's been working on for the past few years. He's tackling Frankenstein and, as usual, his work is phenomenal. Beautiful. Inspiring.

Makes me want to crawl in a hole somewhere and start crocheting lap robes for a living.

His latest post isn't helping.

Turns out the editor for his Frankenstein books? Yeah. Jordan Brown. I'm torn between jumping for joy and crawling under a rock to take up residence with the isopods. If Jordan Brown has somebody like Gris Grimly in his back pocket, does somebody like me really have much of a chance?

I'm finding my rock as we speak.

Ouchy.

The Death of...@GrisGrimly?

If a major publisher can do this to Gris Grimly, what might a lesser publisher potentially do with someone like me?

http://grisgrimly.blogspot.com/2011/05/death-ofme.html

If you know anything about Mr. Grimly's art (and if you don't, take a look: http://www.madcreator.com/index.cfm), you know his palette is muted, earthtoned and perfectly suited to his work.

I'm not sure of any details other than those relayed through the above blog post, but I'm wondering where the breakdown occurred. If someone had a problem with the color, why wasn't the artist approached and given the opportunity to make compromises and any color adjustments himself? Who did make the changes? Who O.K.'d them? And why would they think it was perfectly fine to do that?

I'm not sure what happens if I purchase this book. Am I supporting Gris Grimly? Or am I supporting the person at Random House who decided to "fix" his work without his input or acknowledgement?

As an artist, how do you handle a situation like this? Do you have any rights? Is this something that needs to be addressed in the contract? And if so, why is something like this even an issue that needs to be debated?

Gris Grimly's Frankenstein in progress

I've been keeping track of Gris Grimly's career since I happened to find his book Edgar Allan Poe's Tales of Mystery and Madness in our local Barnes & Noble a few years back. He's a prolific illustrator. I'm not sure how else to describe his work. He's incredibly gifted and has determined ideas of how his books should look.

I'm terribly envious of his abilities. Can you tell?

Last July he started a blog to share progression of his new book, Frankenstein. He's been uploading images both in-progress and complete, and keeping his readers up-to-date with meetings with his editor and art director. In his latest entry, he posted a page that he wasn't satisfied with and also the pages he illustrated to replace it. I saved both images so I could compare the differences side-by-side, and the subtle detail changes are stunning. To me, anyway.

He's changed the color dramatically, which he mentions in the post, but he also made other, more subtle changes to hand positions, compositions and faces that have me taking a step back.

When I look at the original page, I see nothing wrong with it. As an illustrator, I would have been happy with the result, considered it finished, and moved on to the next page.

Maybe that's why he has the book deal. I'm not sure I have that extra "something" to boost my illustrations from self-promotion to an actual contract. I'd like to think working harder might do the trick, but I'm not sure how much harder I can work. Working harder doesn't give you that "something," and if I don't have it by now, I doubt I'll ever have it.

I am looking forward to Frankenstein; I've loved all his books. They're very enjoyable, as long as I look at them without comparing my own work to the talent in front of me.

Illustrators I Greatly Admire: Exhibit C

Gris Grimly.

Incredible talent, this guy.

Currently working on Frankenstein, and has set up a blog to share his progress. First noticed him through his Edgar Allan Poe book, Tales of Mystery and Madness, published by Atheneum Books for Young Readers, an imprint of Simon & Schuster.