Sketches I'm not allowed to tell you about #illustration #middlegrade #kidlit

Just a sketch.
Nothing to see here.
Move along.

My first agent submission

I finally went and did it. My first submission to an agent.

Ever.

You never forget your first.

This also meant I wrote my first query letter, which seems to always want to be spelled "queary" when I type it out. I think it has something to do with the word "queasy," but I'm not sure.

Oh, and my first synopsis.

(Why do you people keep making me write more words?)

Bones are crossed.

Skydiving School

Well, I shuffled off my latest postcard, and it's already generated a few hits on the site (at least, the timing is right for all the extra hits). Always exciting to see. I'm calling the illustration "Skydiving School" for (I hope) obvious reasons.

The image is over there, on the left, and here's the page I put together for the people who want to go green and see it electronically: http://www.nora-thompson.com/postcard.html.

New portfolio to Issuu

I've uploaded to Issuu the portfolio I'll be bringing to the New York SCBWI conference next week, and here it is:

Just a little illustration to tease you

I'm working on a novel geared toward middle-gradish kids (like The Graveyard Book or The Book Thief are considered), and I'll also be illustrating it. I've never written anything of these proportions, and sometimes so many words can be overwhelming to a picture person. A couple of times I felt the need to get away from Word and get back into Photoshop just to keep my sanity and my focus and my love of the story.

I wanted to post one of the illustrations I did for the book, just to tease you a little. If I have my way, the illustration above will cover a two-page spread at the start of the book. The text "Part One: Fliers" will be laid over the image on the right hand page about halfway down, under the bird.

Shirley Jones

When I grew up, I remember thinking my mother and Shirley Jones were equals. She (Shirley Jones, not my mother) grew up in a small town (Smithton, Pennsylvania) that was pretty close to where I grew up (although my mother grew up in a town that was even closer), which I thought was terribly exciting and made the two of them practically sisters.



I wasn't quite six years old when The Partridge Family debuted, but I was instantly in love. I wanted to be in a band. My dad told me later that the reason I played drums in school was because on that very first episode a little girl drummer showed up Chris Partridge on the show. I don't remember it happening that way, but I believe him that it did.

Anyway, the point of this was that I ran across this painting I did of Shirley Jones from way back, maybe ten years ago. For those of you who follow this blog and have seen my work, yes, it was in fact painted by me. Acrylic on bristol. Before I escaped to the dark side.

Women of the Page panel @ The Frick

I made it through the Women of the Page panel at the Frick Art & Historical Center without tripping, burping or falling off my chair. Great news!

It was a fun night and I got to see the Draw Me a Story exhibit, too. Well, sort of. I wasn't wearing my glasses, so I didn't really get to read all the information that was included with each illustration, but I got a general idea of what the illustrations looked like. That should be something.

My favorite illustration was the one by WPA artist George Avison called, "Bucking Bronco." It was the cover for the book Sunflight, and the original painting was matted and framed leaving all the handwritten notes and instructions visible. The book itself was displayed in a case alongside the original.

I also want to see (with my glasses) the sketch Maurice Sendak did of Max from Where the Wild Things Are. It was so small. I really need to wear my glasses next time.

The Chris Van Allsburg one is another one that is probably going to be incredible when I finally see it. All those details. This illustration was for the book The Z Was Zapped. I've never seen the book, but it sounds a bit like The Gashlycrumb Tinies in that it's an alphabet book and each letter meets an untimely demise. And, as a type geek, I love the inside joke: The book follows the "Caslon Players," Caslon being the font the book was set in.

As an aside, I feel terrible for Thomas Taylor. He did the original illustrations for the first Harry Potter book, but was dropped for someone more established after the book became a hit. He was only out of college for two years, and Harry Potter and the Philosopher's Stone was his first commission. Poor kid. You gotta feel for him.

Starting From Chicken Scratch

So I've been contemplating lately what my next move will be regarding my illustration career. As I blogged earlier, I don't think the direction I was heading was quite the right direction I should be. It's kind of hard to keep doing what you're doing when what you're doing isn't doing anything. Isn't that the definition of madness? Spinning your wheels and expecting a different result?

My mailing list since 2005 has been directed toward picture book publishers, and there aren't too many No, Davids or Frog Belly Rat Bones out there. And you know what? That's fine. I'm not sure I'm understanding the logic, but I respect the decision, and I'm free to move on.

This morning I bought a Kindle copy of the 2011 Artist's and Graphic Designer's Market book. It's been a while since I had a copy (looks like 2007 was the last), and I wanted to get a version that didn't leave me with a dead tree in a few years. So I'm Kindle-ing this one.

I've decided my mailing list is getting a do-over, and I'm starting with the Market book I bought this morning. When the 2012 Children's Writer's and Illustrator's Market book comes out in September, I'll sift through that one, too. I'm going to look for publishers for older kids this time, and book covers and maybe posters and agents and such.

I still love, love, love picture books, but I've resigned myself into accepting that if I ever get one published it will likely be independent of a major house. And I'm fine with that, too. I'll be doing it because I love creating and pulling ideas out of my butt, and that satisfaction can happen no matter who pays for the final outcome.

Yesterday I went for a bike ride (Rockwood, PA to Garrett, PA on the Great Allegheny Passage). I took a picture while I was riding, so I have an excuse for the blurry. Lots of thoughts in my head, including the one I shared above.

And here's another one:

You need to get out more.

You need to move more.

The more you move more,
the more oxygen gets sucked into your little brain,
and the more thoughts can get thought out of your butt.

Think your own thoughts. Paint your own pictures. Live your own life.

Blogging combo

I've been trying to keep way, way too many blogs in the air at the same time, and for all the right reasons I'm in the process of combining as many as I can. So my graphic design/editorial illustration/fine art blog posts from a different blog are now integrated into and between the posts in this blog.

And you probably didn't even notice.

I hope things don't get too mushy, but if you're feeling they are, please let me know. I'm going to keep the old graphic design blog in place while I wait on feedback, so I can always separate everything again in the future.

In the meantime, I'm trying to figure out what to call the blog and how to integrate my graphic design/fine art brands (somewhat serious) with my kid's illustration brand (not so much), which isn't the easiest thing to do. I might play around with a few ideas before something actually feels right for me so, you know, comments are always helpful.

Keri Smith

When I want to feel like an incompetent, underworked artist, I visit Keri Smith's Web site.

nornie.com

I think I forgot to mention it here before, but I try to keep my different art lives separate so as not to frighten the children. I've built a Web site that has the links to all of them though, and it's here: www.nornie.com. If you're old enough and you can handle the shock, you can take a look at what I do when I'm not designing or fine arting. It keeps me out of trouble, mostly.

Even though all my sites are different, I try to keep a similar feel through each one. I use different fonts and different colors, but I've created a grungy background that has found its way through all of them. It helps me get rid of that corporate "I like to follow the rules" kind of feel because I'm not a corporation and I don't like to follow the rules. At least not as far as art goes.

Nornie was the nickname my dad gave me before I was old enough to understand what a nickname was. Apparently I didn't like it, and I guess I told him so. But it stuck and now it's mine. Thanks, Dad.

Keri Smith

For any creative type who needs a little humor and a gentle nudge in a productive direction, take a look at Keri Smith's Web site. For the most fun and a lot of creative ideas, choose the "Play" link, and don't forget to check out her portfolio while you're there.

Great work, great ideas and a great inspiration to the creative community.

Twitter

Finally moving on Twitter:

http://twitter.com/NoraThompson

Combination of all the work I do: fine art, kid's illustration, graphic design and The Rots©. Kind of a daily updating of my working life.

March 2008

Doodle-a-day...not so much.

Here's March:

February 2008

My "Doodle a Day" pocket calendar has slowed a bit. I'll catch up eventually. Here's February:

Total redesign!

Just wanted everyone to know I've totally redesigned both my graphic design/editorial illustration site: www.graphx.us and my fine art site: www.norathompson.us. I was hoping to make both of them a little more classy than they had been, so I created the pages in Flash and dropped them in a main page I created in Dreamweaver.

And, although it's been up for a little while already, I guess this would be the official announcement of my fine artwork online. I use many mediums including oil, acrylic, graphite (powdered and in pencil form), charcoal (powdered, vine and compressed), conte crayon and many natural materials, to name a few. I have also included several of my silver gelatin photographic prints on the site as well as previous show listings, my artist's statement and bio.

I'm hoping for feedback, especially if anyone encounters problems in the technical area.

And thanks to everyone who has already fed back!

January 2008

I won a pocket calendar for 2008 last November at a conference, but thought of a better use for it. A "Doodle a Day" maybe? "Calendar Doodles?" Either way, here's January:

Punxsutawney Phil

In honor of the most famous groundhog in the world, and the people who like to celebrate his Feb. 2 predictions.

If you don't know who he is, look him up. He's quite a holiday for some of us in the area.

Career

Met with my friend, Rose, this afternoon to talk about the direction of our illustration careers and what our next step(s) would be. Of course, we met at Panera. What a productive afternoon! My friend Alice even popped in unexpectedly, neither of us knowing the other would be there. Anyway, Rose and I talked about studying, drawing, blogging, taking museum and gallery field trips, and our April Illustrator's Conference field trip to New York.

I guess you could say I got a little over-stimulated.

New Year's

Here's my idea of a new year with the potential for lots and lots of drawing and painting and illustrating.